Lecture: The move in debate 2. Living this, live with it.
I. Introduction:
The collective "Individual Communities" organized the second annual lecture series "The Night at Debate" to discuss, debate, explore and think about what was, is and will be, the phenomenon called the scene / La Movida, generic names to refer to processes articulation of cultural production circuits in Peru.
The Peruvian rock music scene emerged from the mid-60's of last century an important development taking up to a decline in the 70's. During the 80's emerged, alongside a number of successful bands in radio-a-called underground rock scene, which sought to renew its proposal disruptive and confrontational discourse, which had its decline by the end of the decade. The early 90's was marked by a withdrawal due to political violence among many other factors. Then give way to new proposals that had its peak later this decade.
The beginning of the XXI century, the stage which we call Post 2000 - also brought a retreat and disappearance of bands, however the significant rise of gangs and proposals through changes in the modes of music production and the impact of information technology and communication, among other factors shaped a new scenario favorable for the growth of the alternative scene and had not been seen before.
The aim to cross all this edition of "La Movida in Debate 2" is asking about the development of the last ten years of the scene. Tanto desde las relaciones sociales, culturales, urbanas, políticas hasta las económicas. Las dos primeras conferencias apuntan a observar la realidad social, cultural, política. Y las otras dos acerca de lo económico, cultural. Sobre este aspecto, queremos cuestionarnos acerca de las posibilidades de crecimiento o estancamiento de la escena. Por eso el titulo: “Vivir de esto, vivir con esto” alude a dos tendencias con un gran amplio espectro de matices y combinaciones entre ambas. Por un lado la elección de hacer de la música una industria cultural fuerte, solida y en expansión que pueda generar riqueza, empleo y sostenibilidad para los que apuestan por ella. Por el otro lado hacer de la música un medio of artistic expression that is not necessarily betting for profit, but to be broadcast on the possible spaces.
From this perspective, we pose the following questions do we want an alternative cultural industry? Is there really one? How do we strengthen the various circuits that would shape this precarious industry? We could continue asking, but the answers and questions that we will emerge the development of productive dialogue that we in these days of discussion.
The Peruvian rock music scene emerged from the mid-60's of last century an important development taking up to a decline in the 70's. During the 80's emerged, alongside a number of successful bands in radio-a-called underground rock scene, which sought to renew its proposal disruptive and confrontational discourse, which had its decline by the end of the decade. The early 90's was marked by a withdrawal due to political violence among many other factors. Then give way to new proposals that had its peak later this decade.
The beginning of the XXI century, the stage which we call Post 2000 - also brought a retreat and disappearance of bands, however the significant rise of gangs and proposals through changes in the modes of music production and the impact of information technology and communication, among other factors shaped a new scenario favorable for the growth of the alternative scene and had not been seen before.
The aim to cross all this edition of "La Movida in Debate 2" is asking about the development of the last ten years of the scene. Tanto desde las relaciones sociales, culturales, urbanas, políticas hasta las económicas. Las dos primeras conferencias apuntan a observar la realidad social, cultural, política. Y las otras dos acerca de lo económico, cultural. Sobre este aspecto, queremos cuestionarnos acerca de las posibilidades de crecimiento o estancamiento de la escena. Por eso el titulo: “Vivir de esto, vivir con esto” alude a dos tendencias con un gran amplio espectro de matices y combinaciones entre ambas. Por un lado la elección de hacer de la música una industria cultural fuerte, solida y en expansión que pueda generar riqueza, empleo y sostenibilidad para los que apuestan por ella. Por el otro lado hacer de la música un medio of artistic expression that is not necessarily betting for profit, but to be broadcast on the possible spaces.
From this perspective, we pose the following questions do we want an alternative cultural industry? Is there really one? How do we strengthen the various circuits that would shape this precarious industry? We could continue asking, but the answers and questions that we will emerge the development of productive dialogue that we in these days of discussion.
II. Conferences, speakers, locations, dates and times.
1.- Ciudadanía, Espacios Públicos y la producción académica sobre la movida
Objetivo: Presentar trabajos de investigación, ensayos, o similares, desde diversas disciplinas: arquitectura, ciencias sociales, entre otros que estén enfocados en actores / grupos, o en la escena alternativa.
Lugar / Fecha / Hora: Local por confirmar / Viernes 29 de Octubre / 6:00 pm. – 9:00 pm.
2.- Literatura sobre/desde la escena: rock y política.
Objetivo: Exponer la producción literaria sobre la escena, apelando a las voces de los autores y sus visiones acerca de la escena musical, el rock y la política.
Place / Date / Time: Pour Auditorium Teaching / Thursday November 4 / 6:00 pm. - 9:00 pm.
3 .- Production of Concerts at the scene.
Objective: To show how there is a concert, what are the difficulties, successes, lessons learned, and the projection that we have a future as a concert. All exposed from the various groups or producers who organize events with local and international bands.
Place / Date / Time: Centro Cultural El Averno. Quilca Jr 334 / Friday, November 12 / 6:00 pm. - 9:00 pm. 4 .-
Record Labels To know the work of the labels. Experiences, achievements, constraints, lessons learned, what are the strategies implemented and what are their perspectives on the future of record production.
Place / Date / Time: Auditorium Law and Political Science UNFV / Friday, November 19 / 6:00 pm. - 9:00 pm.
subsequently placed speakers to join us. Go separating dates in their calendars. The hope and this Friday October 29th at 6pm. Free admission!
Greetings! Individual Communities
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